CRITICS

Bregtje Schudel, Het Parool, Amsterdam

 

“an intriguing solo for Marlene Vilhena, whose red pieces film barely cover the breasts. Simultaneously girly and seductive she leads the viewer inside her one-woman show. A topentertainer that does her best to please her audience, treating them an intimate When Harry met Sally-orgasm, followed by sweet compliments: “You’re so gewildig! So special! So inspired! So strongly! “

At the end she takes everything back. It was not real, it was theater. But where does the actress and starts the real woman?”